When Art Meets Science: Teatro Meron’s Ang Medea Ignites The Mind Museum
October 26, 2025
This November, the worlds of art and science converge under one roof as Teatro Meron brings fire and fury to the Mind Museum. Known primarily as a hub for scientific discovery, the museum transforms for the first time into a stage for live theater—a space where intellect, artistry, and emotion collide.
In collaboration with Eastern Communications and Tunog at Liwanag sa Teatro Inc. (TLT), Teatro Meron presents Ang Medea, National Artist Rolando Tinio’s acclaimed Filipino translation of Euripides’ classic tragedy Medea. This production marks a bold fusion of myth and modern reflection, exploring the delicate intersection between human dignity and the devastating choices it can provoke.
A Classic Reimagined
Following a well-received run with Tanghalang Ateneo, director and Teatro Meron founder Ron Capinding returns to Medea—a work that has long captivated him both as a scholar and theater-maker. At the heart of Ang Medea lies the story of a woman betrayed not only by her lover but by the very society she sacrificed everything for.
Medea, a foreigner, gives up her homeland for Yason, only to be exiled and humiliated in a city that never truly accepted her. Her struggle for dignity—one that she refuses to compromise—stands in stark contrast to Yason’s belief that honor can be traded for ambition, privilege, and power.
“In Ang Medea, we confront the fragility of human dignity and the extremes it can provoke,” says Capinding. “Medea’s struggle mirrors that of anyone denied respect, recognition, or justice. Her rage and grief, though monstrous, are deeply human. The line between the human and the inhuman lies within all of us.”
Mother, Lover, or Monster?
Taking center stage as Medea is Miren Alvarez-Fabregas, whose previous portrayal of the role earned widespread critical acclaim. Opposite her is Brian Sy, known for standout performances in Ang Duyan ng Magiting (2023), GomBurZa (2023), and Midnight in a Perfect World (2020). Alternating in the role of Yason is Yan Yuzon, reprising the part that once earned him praise for his intensity and emotional range—from blistering fury to aching remorse.
Supporting the leads is a formidable ensemble that includes Teroy Guzman (Kreon), Joseph Dela Cruz (Egeo), Katski Flores (Yaya), Joel Macaventa (Maestro), and Gold Soon and Pickles Leonidas as the Koro.
Awakening the Classical Spirit
For Capinding, revisiting Medea is not just about retelling a Greek tragedy—it’s about reclaiming its relevance for modern Filipino audiences. “There’s so much to learn from a classic like Medea,” he reflects. “Some plays reflect the present, others uncover the past, and a few imagine what’s to come. A true classic can do all of that—and even more.”
This philosophy is also the heartbeat of Teatro Meron, a company dedicated to awakening and cultivating the enduring power of classical works and ideas. “I want to stage not only great classics, but also modern and contemporary plays that share their timeless spirit—pieces that entertain, enlighten, and uplift. In Filipino, nakaaaliw, nakatatalino, at nakapagpapabuti,” Capinding shares.
Behind the Scenes
The production’s creative force brings together some of the finest talents in Philippine theater design and production: Tata Tuviera (Set Design), Ian Bautista (Lighting Design), and Zak Capinding (Sound Design). Gabrielle Barredo leads Production Management, with Mar Suesmith as Stage Manager, Albriz Bagsic as Technical Director, and Santi Caruncho providing Graphic Design.
Performance Details
Show Dates:
• November 13, 14, 20, 21, 27, 28 | 8:00 PM
• November 15, 22 | 3:00 PM and 8:00 PM
• November 16, 23 | 3:00 PM and 7:00 PM
📍 Venue:
The Mind Museum Special Exhibition Hall, Bonifacio Global City
🎟 Tickets: tinyurl.com/angmedea
A Modern Tragedy for the Filipino Soul
As art steps into the realm of science, Ang Medea becomes more than just a play—it becomes an experiment in empathy. It asks what happens when reason and love collide, when justice is denied, and when dignity itself is pushed to the breaking point.
In the words of Timothy Leary, “A man without justice is a beast, and a man who would make himself a beast forgets the pain of being a man.”
Teatro Meron’s Ang Medea brings this truth roaring to life—reminding us that the line between what is human and what can become monstrous exists in every one of us.