
Lamay in Malaya Returns with an Immersive Filipino Promenade Theatre Experience
January 29, 2026
What does it mean to grieve together?
Lamay in Malaya is an immersive, promenade-style theater experience created through KOLABorador Co’s signature machination (devised) process. Rooted in Filipino cultural sensibilities, the production approaches grief not merely as loss, but as an ongoing expression of love, memory, history, and radical human vulnerability.
Mourning has no finish line; it exists where love does. From conversations and songs echoing the emotional limbo of Beckett’s Waiting for Godot, to the abandonment of unrealized dreams by failed Shakespearean ingenue-wannabe, to a character seeking carnal release from the exhausting
rituals surrounding death; from Narcisa Rizal desperately searching for her brother’s missing corpse, to a widow finding solace in cooking and grief poetry—audiences encounter mourning as a state of suspension: an ebb and flow that resists closure. Guided through multiple spaces, audiences experience Lamay in Malaya as a curated journey that holds grief as deeply personal, culturally rooted, and universally human.
The work emerges from a convergence of lived experiences shared by cast members, historical narratives, poetry on grief, and conversations with memorial coordinators. These sources are shaped through collective storytelling, movement, and composition, allowing personal and communal experiences of mourning to take a theatrical form. Presented as a thoughtfully guided journey, Lamay in Malaya invites audiences to encounter grief not as something to overcome, but as something that endures because love once lived.


About KOLABorador Co.: Creating Theatre That Is Felt, Witnessed, and Lived
At the heart of Lamay in Malaya is KOLABorador Co., a collective of independent Filipino artists committed to creating what they call machinations—their own language for devised theatre.
Rather than starting with a fixed script, KOLABorador Co.’s works emerge from conversations, memories, literature, and lived experience. These fragments are collectively shaped into performances that speak directly to the Filipino psyche, often interrogating cultural memory while aiming to inspire, empower, and—when necessary—unsettle. Their theatre is not designed to comfort audiences from a distance, but to invite them into an encounter.
Why Grief, and Why Now?
For the collective, Lamay in Malaya was born out of loss that was deeply personal. In the past year, the theatre community lost several figures the group profoundly admired—three of them close collaborators and friends. Their deaths left an emotional weight that seeped into both artistic practice and daily life.
Creating Lamay in Malaya became a way to honor those who passed, while also acknowledging grief as something communal rather than solitary. The company recognizes that mourning is not limited to death alone. It also exists in the quiet spaces where we grieve former versions of ourselves, abandoned ambitions, and imagined lives that never came to be. These subtle, often unspoken losses shape identity just as powerfully as bereavement.
Why Immersive Theatre?
For KOLABorador Co., immersion is not a stylistic choice—it is a necessity.
Grief, they argue, cannot be experienced from afar. It is physical. It inhabits bodies, shared spaces, silences, and moments that demand presence. As machinators, the collective believes theatre must be encountered and witnessed, not merely observed.
Lamay in Malaya pushes beyond traditional theatrical boundaries by inviting audiences into an experiential journey. Viewers are guided through multiple spaces, moving alongside performers, choosing where to linger, and determining how deeply to engage. The experience does not promise resolution or emotional closure. Instead, it asks audiences to sit with grief—to feel it, reflect on it, and honor it as an inevitable companion to love and being alive.
The People Behind the Experience
The production is brought to life by an ensemble composed of:
Cast
Tara Cabaero, Kathlyn Castillo, Raphne Catorce, Chic De Guzman, Anna Deroca, Tess Jamias, Wenah Nagales, Jona Paculan, Gino Ramirez, Nazer Salcedo, and Joshua Tayco
Artistic Team
Repetitur / Scenography & Styling: Mark Daniel Dalacat
Lighting Design: Third Salamat
Sound Design: Zsaris
Dramaturgy: Vic Villareal
Additional Styling: John Abul
Production Management
Kathlyn Castillo, Tess Jamias, Wenah Nagales, Boom Gonzales, Rafa Mediavillo
Marketing
Tara Cabaero, Erica Prado, Boom Gonzales, Rafa Mediavillo
Stage Management
Faith Rianne Baclig, Erica Prado, King Velasquez, Kyrie Samodio, Jien Santiago, Gena Suelto
Together, they form a collective practice rooted in care, collaboration, and shared vulnerability.
In Lamay in Malaya, KOLABorador Co. offers more than a performance. They create a space where grief is not rushed, silenced, or solved—but held. In doing so, they remind audiences that mourning, like love, endures—and that to feel deeply is itself a radical act.
Show Details
📍 Coconut House, 34 Malaya St., Diliman, Quezon City
📅 February 6–8, 13–15 & 20–22, 2026 | 7:00 PM
🎟 PHP 1000 (Regular) | PHP 850 (Student) | PHP 800 (PWD/Senior)
🎫 Tickets via TicketMelon
Photos care of KOLABorador Co.
